Exhibition titles are always interesting indicators to assess a show. Ideally they express or capture the curatorial gesture, and give a hint of the show’s flavour. Titles are in that respect bearers of expectation: soft signifiers of what there is to come. What then to make of as opaque a title as “In the Middle of the Middle”? And how to position the show within its temporal and geo-political coordinates:
המשך קריאה במארב-אנגלית