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<oembed><version>1.0</version><provider_name>Maarav</provider_name><provider_url>http://maarav.org.il/english</provider_url><author_name>Adam Aboulafia</author_name><author_url>http://maarav.org.il/english/author/adam-aboulafia/</author_url><title>Whose Cinema? - Maarav</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="zmH1PXzGoB"&gt;&lt;a href="http://maarav.org.il/english/2009/07/30/whose-cinema/"&gt;Whose Cinema?&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="http://maarav.org.il/english/2009/07/30/whose-cinema/embed/#?secret=zmH1PXzGoB" width="600" height="338" title="&#x201C;Whose Cinema?&#x201D; &#x2014; Maarav" data-secret="zmH1PXzGoB" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>Using the work of French film maker and anthropologist Jean Rouch, Israeli film makers such as Avi Mograbi and July Gerstel Cohen and the writings of French philosopher Gilles Deleuze, Adam Aboulafia tries (Whose Cinema?) to work out whether documentary film can represent an otherness which overcomes the allegedly distinct identities of filmmaker, subject and viewer &#x2013; and if so, what the nature of that otherness might be.</description><thumbnail_url>http://maarav.org.il/musaf/wp-content/uploads/rouch2.jpg</thumbnail_url></oembed>
