{"id":1371,"date":"2016-09-28T17:57:06","date_gmt":"2016-09-28T14:57:06","guid":{"rendered":"http:\/\/www.maarav.org.il\/english\/?p=1371"},"modified":"2016-09-28T17:57:06","modified_gmt":"2016-09-28T14:57:06","slug":"naama-hadany-glal-2016","status":"publish","type":"post","link":"http:\/\/maarav.org.il\/english\/2016\/09\/28\/naama-hadany-glal-2016\/","title":{"rendered":"Naama Hadany | Glal, 2016"},"content":{"rendered":"

On her return from her MFA studies in Chicago, artist Naama Hadany went back to live in Sde Boker, a short distance from the Desert Sculpture Gallery established by Ezra Orion, where he worked and created for most of his adult life. For the Orion issue of Ma\u2019arav<\/em> Hadany created the image \u201cGlal\u201d especially for the digital format. The image is a reflector on which there are cigarette ash \u201cdroppings\u201d. The surface is activated by a camera flash which creates flickers and changes in the tone of the light depending on its closeness to it. In the artist\u2019s words: \u201cI think of this work as \u2018micro-sculpture\u2019. The computer screen produces a sort of infinite yet intimate space in which even cigarette ash, as trivial as it might be, could be a stone line in Sde Zin or on Mars.\u201d<\/p>\n\"\"<\/a>\n","protected":false},"excerpt":{"rendered":"

Hadany created the image “Glal” especially for the digital format of this issue. <\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[38],"tags":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n